About Me...

My work exists at the intersection of heritage and contemporary craftsmanship. Inspired by cultural memory, traditional textile techniques, and the visual language of folk art, I create pieces that reinterpret historical motifs in a modern and personal way.

As a cultural anthropologist, I am deeply interested in the history of pre-industrial textile use and ornamentation, as well as the ways these visual traditions continue to influence contemporary culture and aesthetics today. This ongoing research and fascination strongly shape my creative process and artistic perspective.

I primarily aim to work with natural materials while exploring how traditional handcraft techniques can be placed into a new contemporary context. For me, textile culture and ornamentation are not simply remnants of the past, but living forms of expression that continue to carry meaning, identity, and human connection.

My work moves between textile art, handcrafted objects, and contemporary design. Slow creation, attention to detail, and respect for traditional knowledge play a central role in my process. I am especially interested in the dialogue between heritage and the present — how historical visual languages can evolve into timeless contemporary forms.

Through my work, I seek to preserve and reinterpret fragments of cultural memory, creating objects and artworks that carry atmosphere, continuity, and a connection between generations.